邓文原书法在元初颇负盛名,与赵孟頫、鲜于枢齐名,并称元初三大书法家。擅行、草书。书风韵致古雅,娴雅,擅行、草书。邓文原年青时与赵孟頫为至友,两人感情至深。大德二年,成宗召赵孟頫入大都书金字《藏经》,邓文原为赵所荐,共同入京,使他的书法大显于世。两人在书法活动中接触频繁,他深受赵孟頫的影响,他的书法风格颇似赵氏,如《黄庭坚松风阁诗卷跋》、《瞻近汉时二帖跋》等。邓氏因多涉政事,翰墨日疏,以至未能将自己的风格拓展得更加鲜明。邓文原对于恢复和发扬绝响已久古书体作出了贡献。他以章草见称,《急就章》就是临写三国时皇象的章草《急就篇》的。书于大德三年(1299年)纸本,全本纵23.3厘米,横398.7厘米。
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邓文原《急就章》长卷
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【邓文原章草书急就章卷】
《急就章》卷,元,邓文原书,纸本,章草,纵23.3厘米,横368.7厘米。
钤“邓文原印”、“巴西邓氏善之”、“素履斋”。
本卷引首弘历行书“草圣”二字,卷尾董邦达画松柏竹石图。本幅后有元代石岩、杨维祯、张雨、明代余诠、袁华、道衍、陈谦题跋。鉴藏印有“袁华私引”、“姜绍书印”、“二酉”及项元汴、乾隆、宣统内府诸印。
本帖为邓文原早年书,观其用笔圆转劲健,流露锋芒,有法度,甚合古人遗意。元张雨跋云:“素履斋书此,早年大合作,中岁以往,爵位日高,而书学益废,与之交笔研者,始以余言为不妄。殆暮年章草,如隔世矣,信为学不可止如此。”可为确论。卷后邓文原自识:“为理仲雍书于大都庆寿寺僧房。”理仲雍名熙,于阗国(今和阗)人,曾为吴郡判官,亦见袁华跋中。庆寿寺在元大都(今北京)西长安街,即双塔寺,今废。年款“大德三年三月十日”(1299年),邓文原时年42岁。
《式古堂书画汇考》、《珊瑚网书跋》、《平生壮观》、《大观录》有著录。
草书包括章草、今草两种。章草是早期的草书,每字独立不连写,保留了隶书中波磔的写法,被认为是隶书的草写。章草它演变,是解散隶书使它趋于简便,相传章草是汉元帝时候的黄门令史游所创。现在流传有他的《急就章》,因取其“章”字,所以叫做“章草”。章草发展到隋、唐,已逐渐退出书坛,几成绝响。章草初唐时尚有写的;到了晚唐和宋代,竟不见有章草的笔迹。元代赵子昂、邓文原,明初宋仲温曾有此体,但是子昂用笔偏于绵软妍媚,宋仲温笔势挺拔,而邓文原具有章草古朴的风格,并且摻有楷书劲健流美笔意,明人袁华跋日:“观其运笔,若神出海,飞翔白如。”
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