张裕钊(号廉卿)生活之程跨清朝道光、咸丰、同治、光绪四帝,此时正是碑学之风大兴之时。“时势造英雄”,正是这股强劲的碑风,孕育和造就了张裕钊这位一代书法宗师。张裕钊作为一代宗师,其代表成就当是他那雄浑逸迈的“张裕钊楷书”。在当朝,人们就对张裕钊的书法造诣给予了极高的评价,康有盛赞张裕钊是“清代一人”,细读张裕钊《滕王阁碑》,我们即可对张裕钊杰出的楷书成就窥见一斑。
张裕钊中锋用笔,溶秦篆、汉隶、魏碑于一炉。在临摹历代名家碑帖时,先入后出,取神遗貌,另辟蹊径,创造了影响晚清书坛百年之久的内圆外方的“张体”,被康有为誉为“千年以来无与比”的清代书法家。康有为称其“集碑学之成”,推崇有加。其书法险峻中见刚健,在日本颇有影响。
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张裕钊楷书《节录韩愈新修滕王阁记》
滕王阁湖山千里之外。吾虽欲出意见,论利害,听命于幕下,而吾州乃无一事可假而行者,又安得舍己所事以勤馆人?则滕王阁又无因而至焉矣!
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